煦陽

尺寸：圓框直徑 8 cm

在這件作品中，我以自由手刺繡（free hand embroidery）作為主要技法，沒有固定的針步與方向。以針線模仿筆觸，用線條堆疊出如油畫般的肌理與層次，就像顏料尚未被暈開時的模樣。

作品刻意不封背，讓觀者能看見線的錯綜與纏繞，也誠實地呈現創作過程本身的痕跡，也是正面圖像的另一種延伸。正與背之間的對比，象徵著創作的雙面性：秩序與混亂、控制與流動。

Diameter: 8 cm

In this work, I use free-hand embroidery as the main technique, without fixed stitches or directions. The threads mimic brushstrokes, layering to create the texture and depth of an oil painting — like pigments before they are fully blended.

The back of the piece is intentionally left uncovered, allowing viewers to see the tangled and intertwined threads — traces of hesitation, emotion, and time. It reveals the honesty of the making process and becomes an extension of the image on the front.
The contrast between front and back symbolizes the duality of creation: order and chaos, control and fluidity.